Assassin’s Creed is one of the most inconsistently amazing and frustrating franchises of the past five years. It utilizes immense creativity and takes us on journeys we rarely experience in other games, yet does so covered in the annoyances that seem to coat most triple-A games these days. Needless to say, it’s a mess of a franchise, but one with an unparalleled amount of potential.
It’s Thanksgiving, and we’re taking this opportunity to share what each of us are thankful for in the world of games this year.
Graham Russell: Even in a year with so many great original releases, I find myself being most thankful for those who are working to give old gems a second chance on new platforms. Whether it’s North American debuts like Vib-Ribbon and The Mysterious Murasame Castle, overlooked titles like Valkyria Chronicles and The Legend of Heroes: Trails in the Sky or simply great oldies that are tough to find today like Mega Man Battle Network and Pokemon Trading Card Game GB, this is such a fruitful time for those who love old properties and want to experience them again. READ MORE
I am sitting in my boring room, not listening to anything at all. I put myself in a blank stasis, to figure out if silence can be deafening and seeing nothing can be a beautiful sight. I fail to answer those questions, quickly. Whether it’s because I’m a slave to stimulation, or thoughts of gorgeous aesthetics and catchy tunes are too much to resist, I’ll never know. Specific songs creep in and force me to remember things that matter, things that don’t and all things in-between. READ MORE
The “4X” (explore, expand, exploit and exterminate) genre is one more familiar and accessible to PC gamers (e.g., Civilization, StarCraft) than it is to the cardboard crowd. The most well-known 4X board games are usually epic, sprawling affairs like Twilight Imperium, Age of Empires, Eclipse or even Civilization: the Board Game. These games have their devotees, but turn away many with their intensive session times, excessive number of pieces, intricate rules, or any number of other factors.
Combining traditional 4X gameplay with the recent design trend towards “micro-games” — games with minimal components that can be played in under 20 minutes — has resulted in Scott Almes’s Tiny Epic Kingdoms, published by Gamelyn Games (Dungeon Heroes). TEK actually has a play time of about half an hour, but that’s still at least one-eighth the time commitment of a normal 4X so the “micro” label still fits. But can you really condense 4X gameplay into a box the size of about two DVD cases stacked on top of each other? READ MORE
It can be easy to forget how tough telling a compelling story in a video game can be. Some games do it brilliantly, like last year’s Brothers: A Tale of Two Sons, but others tend to struggle. Sometimes telling a story within an interactive medium requires sacrificing some of the gameplay in order for the narrative to stand front and center. Kan Gao, the creator of one of my favorite games, To the Moon, fully understands this. No one will call it a masterwork of game design, but few can deny the impact of its story.
In lieu of a proper review, I thought I would take the time to talk about Kan Gao’s latest title, A Bird Story. Although it features no dialogue and is a lighter story than To the Moon, it’s a yet another prime example of finely-crafted interactive fiction.
There are increasingly more options for those looking to play some local multiplayer sessions, but sometimes you just want to settle down to something familiar and comfortable. Eventually, though, those games start to lose their appeal, as you exhaust all of the game’s options and generally run it into the ground. In this edition of Multitap, I’m talking about ways to breathe new life into those old experiences, and even provide some much-needed variety to extend the lifespan of newer games well before they get to that point. READ MORE
Serotonin’s criteria are simple: did a video game connect with me on an emotional level? Did it make me happy? Sad? Angry? Confused? Bored? Thrilled? As long as I remember it in a meaningful way, it doesn’t matter what the game is. I’ve been pondering lately if the emotional connection is tied to a specific aspect of a game. Am I more moved by musical scores, or do I find peace in gazing upon a particularly beautiful level?
I used to think the ultimate satisfaction came through gameplay. Was I comfortable with the jumping sections? Did the controls help or hinder my progress? How did beating each level make me feel? These are questions I ask myself frequently. It’s a sign of a great game when it connects with me purely through its gameplay. Isn’t that what a video game should be? Games are an experience you control; you are in charge of the progression. You tell your own story, you create your own struggles and triumphs through your own, personal input. Nothing else matters if the gameplay is subpar.
But then came Telltale’s The Walking Dead, and my supposed unshakable foundation of game philosophy was disrupted in a wonderful way.
Pairs is what co-designer James Ernest calls a “new classic pub game.” It’s a dirt-simple game that can be played anywhere at any time, and requires nothing more than a single deck of specialized cards and a knowledge of the very basic rules. And yet it is so much more; more than anything else, Pairs is an illustration of how many different ways a simple design can be used by creative minds. READ MORE
I’ve written a lot about horror games, specifically regarding how the genre has gone through a bit of a renaissance in recent years. There have been a surprising number of quality horror games, and with the recent announcement of a new Silent Hill title, plus Capcom’s supposed effort to bring Resident Evil back to its roots, it’s safe to say we’ll be seeing plenty more.
This brings me to this month’s newest horror releases: Alien: Isolation and The Evil Within. Both are modern horror games, yet they both approach the genre from entirely different perspectives. Best of all, you can look at both games as example of how to do modern horror right and how to do it, well, not so right.
Whether you’re enticed by the idea of getting a New 3DS before the North American launch or you want to use the transition to snag an older model for cheap, it’s an intriguing time to jump into the world of 3DS imports. Sadly, it’s not region-free, but if you take the plunge on the hardware, there are a lot of compelling Japan-only experiences to try, even if you don’t know the language! READ MORE